Bamboo yarn meets the purest silk and gives birth to a new embrace of style and naturalness signed Innbamboo The Original®. Four patterns inaugurate the new decorative cycle, offering a fascinating encounter between Victorian England and distant, exotic destinations, the brainchild of painter Carolina Valva d'Ayala.
The fall-winter season opens with an irresistible embrace of comfort, style and naturalness. The undisputed protagonists of this embrace are bamboo yarn, the iconic flagship of the entire Innbamboo The Original production ®, and the purest silk.
It is from their encounter, the result of our textile designers' incessant propensity to experiment, that Foulard Bamboo Seta was born, a new family of decors with which the Foulard Bamboo line reaches unprecedented expressive heights.
Available in four examples, the new scarves boast an exceptional signature that attests to their status as all-around artistic creations. In fact, the decorative cycle was conceived by painter Carolina Valva d'Ayala, who has been on the crest of the wave for years for her absolutely personal ability to range from the techniques of the Grottesca style to more intimate and dreamy naturalistic approaches.
It is precisely the suggestion of Victorian naturalism that the project's artistic director drew on to design the inaugural models of the new line. Following in the footsteps of the English botanist and painter Marianne North, Valva D'Ayala has created decors that, by placing orchids at the center, propose explorations to as many remote as exotic destinations: Brazil, India, South Africa and Japan.
Each pattern is characterized as a journey that connects two places: the country of origin of a particular variety of orchid, represented through a rich series of images and symbols, and Victorian England, which is present with a greenhouse that holds the orchid celebrated from time to time.
"I thought of the decorations as an emotional narrative and dreamlike - explains the artist - trying to imagine the viewer as an explorer caught by a melancholy desire not to leave the places he is admiring, so much so that he comes to desire the scarf. In fact, by owning it, he can allow himself to be enveloped in his fantasies, and thus remain connected to the sweet sensations of travel."
All this takes shape and refined workmanship on a new, fine and elegant fabric, the result of an advanced encounter between craftsmanship and innovation. In fact, to the refined craftsmanship of the details-from the fabric cuts, rigorously scissor-cut, to the hemming, embellished by meticulous hand finishing-is added a touch of elaborate liveliness brought as a dowry by digital printing that guarantees the highest quality rendering of colors and details.
Colors and details that it will be possible to wear and flaunt in the traditional 120 x 120 cm square shape, which has always been considered iconic for this type of accessory, adopted for three of the four models on offer. Or in the rectangular 45 x 180 cm format, chosen for the fourth example of the Bamboo Seta scarf line, with the intention of offering greater versatility of use.
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